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CHAPTER 06 · Medical Problems of Musical Masters

Mozart: Music, Medicine, Masonry, and Mortality

Aaron Kozbelt, PhD

ABOUT THE AUTHORS

Abstract

The early death of Wolfgang Amadeus Mozart at age 35, midway through completing his final mysterious commission, a Requiem Mass, remains the greatest tragedy in music history. For more than 200 years, laypersons, scholars, writers, and filmmakers have speculated on the cause of Mozart’s death, suggesting over one hundred possibilities. Some of these are rooted in illnesses documented earlier in Mozart’s life; others focus on ailments from his final year. In this chapter, I review leading candidate explanations, examining Mozart’s reported symptoms in his final two-week illness (high fever, copious sweating, swollen feet and hands, recurrent vomiting and diarrhea, and partial paralysis) as well as broader mortality trends at the time, including the possibility of an epidemic. While not conclusive, the evidence overall appears to favor a cause of death rooted in compromised kidney function associated with edema and uremia, potentially linked to an epidemic streptococcal infection. I conclude with some reflections on Mozart’s own attitude to death, which was greatly informed by his involvement with Freemasonry. A constant awareness of death, omnipresent in his world but colored by a non-despairing Masonic worldview, helped Mozart make the most of his life and genius.

Keywords

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Cite this chapter

Chapter references below omit unverified page ranges and chapter-specific DOIs.

APA

Kozbelt, A. (2026). Mozart: Music, Medicine, Masonry, and Mortality. In P. L. Pearl & S. Arfaie (Eds.), Music, Medicine, and the Neurobiology of Creativity. Cambridge University Press.

AMA

Kozbelt A. Mozart: Music, Medicine, Masonry, and Mortality. In: Pearl PL, Arfaie S, eds. Music, Medicine, and the Neurobiology of Creativity. Cambridge University Press; 2026.

Vancouver

Kozbelt A. Mozart: Music, Medicine, Masonry, and Mortality. In: Pearl PL, Arfaie S, editors. Music, Medicine, and the Neurobiology of Creativity. Cambridge: Cambridge University Press; 2026.

Chicago

Kozbelt, Aaron. “Mozart: Music, Medicine, Masonry, and Mortality.” In Music, Medicine, and the Neurobiology of Creativity, edited by Phillip L. Pearl and Saman Arfaie. Cambridge University Press, 2026.

BibTeX

@incollection{chapter6_2026,
  author = {Kozbelt, Aaron},
  title = {Mozart: Music, Medicine, Masonry, and Mortality},
  booktitle = {Music, Medicine, and the Neurobiology of Creativity},
  editor = {Pearl, Phillip L. and Arfaie, Saman},
  publisher = {Cambridge University Press},
  year = {2026}
}

Harvard

Kozbelt, A. (2026) “Mozart: Music, Medicine, Masonry, and Mortality”, in Pearl, P.L. and Arfaie, S. (eds.) Music, Medicine, and the Neurobiology of Creativity. Cambridge: Cambridge University Press.

Aaron Kozbelt

Aaron Kozbelt

PhD

Professor and Former Chairperson of Psychology, Brooklyn College, City University of New York

Brooklyn College

Profile

Aaron Kozbelt is a professor in the Department of Psychology at Brooklyn College. His chapter approaches Wolfgang Amadeus Mozart through music, medicine, Freemasonry, and mortality, bringing psychological and historical perspectives to the life of a composer whose creativity and illness continue to attract scholarly attention.

Scholarship & professional background

He received his doctorate from the University of Chicago and combines psychological research with his own practice as a visual artist. His research examines creative achievement, evaluation, and problem solving, including studies of classical composers that use historical records to investigate the development of creativity across a career. This work connects the moment-to-moment choices involved in making art with longer patterns of artistic productivity and expertise.

In a 2026 interview for The Science of Creativity, he discussed the development of creative achievement through artistic practice and expertise, bringing his research on artists and musicians to a wider audience.

Research distinction

Brooklyn College awarded him a Tow Professorship for 2013–2015 to support his research and creative work. The distinction complements a career examining the development of artistic expertise and achievement through psychological research and the historical study of artists and composers.

Selected work & perspectives

Creativity and cognition in the artsCreative achievement and expertise · The Science of Creativity, 2026Tow Professorship · Brooklyn College