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CHAPTER 02 · The Neurobiology of Creativity

Neural Substrates of Musical Creativity

Karen Chan Barrett, PhD, MMus, BA · Charles J. Limb, MD

ABOUT THE AUTHORS

Abstract

Musical improvisation, the spontaneous generation of melodies and rhythm within a musical context, is a complex process. Over the last decade, neuroscientists have used neuroimaging techniques like functional magnetic resonance imaging (fMRI) to identify neural substrates of musical improvisation. This review chapter synthesizes fMRI experiments on musical improvisation, including studies where participants play, vocalize, or imagine improvisations. It also discusses differences in results due to variations in experimental paradigms and participants with differing levels of expertise. Additionally, this chapter summarizes findings in research exploring functional networks involved in improvisation—namely the default mode, executive, and salience network—by encapsulating experimental results on functional connectivity in resting state data and during active improvisation tasks. Finally, we discuss research gaps in the field. As additional experiments are conducted, future research may continue to probe how neural substrates of improvisation vary across artistic domains, how participating in creative behaviors might improve brain function, and how aging and disease affect the creative brain. While great strides have been made to understand the mechanisms of generative creativity, much remains to be explored. This research is critically important given that creativity underlies the human ability to invent and innovate.

Keywords

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Cite this chapter

Chapter references below omit unverified page ranges and chapter-specific DOIs.

APA

Chan Barrett, K., & Limb, C. J. (2026). Neural Substrates of Musical Creativity. In P. L. Pearl & S. Arfaie (Eds.), Music, Medicine, and the Neurobiology of Creativity. Cambridge University Press.

AMA

Chan Barrett K, Limb CJ. Neural Substrates of Musical Creativity. In: Pearl PL, Arfaie S, eds. Music, Medicine, and the Neurobiology of Creativity. Cambridge University Press; 2026.

Vancouver

Chan Barrett K, Limb CJ. Neural Substrates of Musical Creativity. In: Pearl PL, Arfaie S, editors. Music, Medicine, and the Neurobiology of Creativity. Cambridge: Cambridge University Press; 2026.

Chicago

Chan Barrett, Karen, and Charles J. Limb. “Neural Substrates of Musical Creativity.” In Music, Medicine, and the Neurobiology of Creativity, edited by Phillip L. Pearl and Saman Arfaie. Cambridge University Press, 2026.

BibTeX

@incollection{chapter2_2026,
  author = {Chan Barrett, Karen and Limb, Charles J},
  title = {Neural Substrates of Musical Creativity},
  booktitle = {Music, Medicine, and the Neurobiology of Creativity},
  editor = {Pearl, Phillip L. and Arfaie, Saman},
  publisher = {Cambridge University Press},
  year = {2026}
}

Harvard

Chan Barrett, K. and Limb, C. J. (2026) “Neural Substrates of Musical Creativity”, in Pearl, P.L. and Arfaie, S. (eds.) Music, Medicine, and the Neurobiology of Creativity. Cambridge: Cambridge University Press.

Karen Chan Barrett

Karen Chan Barrett

PhD, MMus, BA

Assistant Professor, School of Nursing and School of Medicine

University of California, San Francisco

Profile

Karen Chan Barrett is an Assistant Professor jointly appointed in the Schools of Nursing and Medicine at the University of California, San Francisco. Trained in classical piano, music cognition and theory, and cognitive neuroscience, she studies the neural mechanisms of music perception and artistic creativity. With Charles Limb, she co-leads a National Endowment for the Arts Research Lab investigating improvisation. Her research also examines music perception in hearing loss and improvisation-based interventions for cognitive aging and dementia. She received the 2025 Society for Neuroscience of Creativity Young Investigator Award. Her training includes a PhD in Music Cognition and Theory from Northwestern University, master’s degrees in Musicology and Piano from the Peabody Institute, and postdoctoral training in auditory neuroscience at the University of California, San Francisco.

Scholarship & professional background

Her interdisciplinary training began with undergraduate study in music and neuroscience at Wellesley College. Her research extends from the neural basis of expert improvisation, including work with pianist Gabriela Montero, to the conditions that support children’s musical creativity. An NIH career development award supports her investigation of improvisation-based music therapy for people living with dementia and their care partners, connecting laboratory questions about creativity with everyday clinical and relational needs.

Her recent work includes a 2026 neuroimaging case study of tabla virtuoso Zakir Hussain, extending investigations of improvisation into Indian classical percussion. The study examines generative musical creativity through an artist working within a different musical tradition and performance practice.

Selected work & perspectives

What I Found When I Scanned the Brains of Kids Creating Tunes on the PianoResearch, publications, and academic profileIndian classical percussion and improvisation · 2026 study
Charles J. Limb

Charles J. Limb

MD

Francis A. Sooy Professor, Department of Otolaryngology–Head and Neck Surgery

University of California, San Francisco

Profile

Charles J. Limb is the Francis A. Sooy Professor in the Department of Otolaryngology–Head and Neck Surgery at the University of California, San Francisco, and is affiliated with its Sound and Music Perception Lab. With Karen Chan Barrett, he examines the neural substrates of musical creativity, bringing the science of hearing into conversation with artistic improvisation.

Scholarship & professional background

He completed undergraduate study at Harvard, medical school at Yale, and residency and neurotology training at Johns Hopkins. His subsequent research training included auditory neuroscience and functional imaging of musical improvisation at the National Institutes of Health. As a clinician, he directs UCSF’s Douglas Grant Cochlear Implant Center. His research connects the neural basis of spontaneous creativity with a practical question in hearing restoration: how people with cochlear implants perceive and experience music.

His recent collaborations include a 2026 neuroimaging case study of tabla virtuoso Zakir Hussain, extending research on improvisation beyond jazz and piano performance to Indian classical percussion.

Selected research

His 2008 study with Allen Braun used functional MRI to compare jazz improvisation with learned musical performance. It identified a distributed pattern of activity involving prefrontal, sensory, and motor regions, providing an experimental approach to studying spontaneous musical invention.

Selected work & perspectives

Academic profile and professional workNeural substrates of tabla improvisation · 2026 studyNeural substrates of spontaneous musical performance · PLOS ONE