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CHAPTER 11 · Medical Problems of Musical Masters

The Sound of Syphilis: The Case of Bedřich Smetana

Jonathan Newmark, MD, MM

ABOUT THE AUTHORS

Abstract

The great Czech composer Bedrich Smetana (1824-1884) died of tertiary neurosyphilis after a long illness. After Beethoven, he is the most famous composer to become totally deaf. Smetana’s initial symptom of tinnitus was, although not recognized as such, an early symptom of his neurosyphilis. He recognized it as the harbinger of his deafness. In his autobiographical first string quartet, which he subtitled “From My Life,” he grippingly described the onset of his tinnitus in musical terms. Just as in Smetana’s actual life, from this point on, the music takes a completely different, darker turn. Smetana’s quartet is one of the great chamber works of the 19th century, but it is also one of the great examples of artistic self-reflection and musical depiction of a neurological symptom. Keywords: Bedrich Smetana, deafness, neurosyphilis, string quartet, deafness

Keywords

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Cite this chapter

Chapter references below omit unverified page ranges and chapter-specific DOIs.

APA

Newmark, J. (2026). The Sound of Syphilis: The Case of Bedřich Smetana. In P. L. Pearl & S. Arfaie (Eds.), Music, Medicine, and the Neurobiology of Creativity. Cambridge University Press.

AMA

Newmark J. The Sound of Syphilis: The Case of Bedřich Smetana. In: Pearl PL, Arfaie S, eds. Music, Medicine, and the Neurobiology of Creativity. Cambridge University Press; 2026.

Vancouver

Newmark J. The Sound of Syphilis: The Case of Bedřich Smetana. In: Pearl PL, Arfaie S, editors. Music, Medicine, and the Neurobiology of Creativity. Cambridge: Cambridge University Press; 2026.

Chicago

Newmark, Jonathan. “The Sound of Syphilis: The Case of Bedřich Smetana.” In Music, Medicine, and the Neurobiology of Creativity, edited by Phillip L. Pearl and Saman Arfaie. Cambridge University Press, 2026.

BibTeX

@incollection{chapter11_2026,
  author = {Newmark, Jonathan},
  title = {The Sound of Syphilis: The Case of Bedřich Smetana},
  booktitle = {Music, Medicine, and the Neurobiology of Creativity},
  editor = {Pearl, Phillip L. and Arfaie, Saman},
  publisher = {Cambridge University Press},
  year = {2026}
}

Harvard

Newmark, J. (2026) “The Sound of Syphilis: The Case of Bedřich Smetana”, in Pearl, P.L. and Arfaie, S. (eds.) Music, Medicine, and the Neurobiology of Creativity. Cambridge: Cambridge University Press.

Jonathan Newmark

Jonathan Newmark

MD, MM

Adjunct Professor of Neurology, Uniformed Services University; Clinical Assistant Professor of Neurology, George Washington University; Composer

Uniformed Services University · George Washington University

Profile

Jonathan Newmark is a neurologist, composer, pianist, violist, and conductor. He earned his medical degree at Columbia University and a master’s degree in composition at the University of Cincinnati College-Conservatory of Music. A retired Colonel in the United States Army Medical Corps, he is an Adjunct Professor of Neurology at the Uniformed Services University and a Clinical Assistant Professor at George Washington University. His chamber music has been performed by ensembles internationally and released on multiple recordings. His medical work includes chemical casualty care and neurological practice, bringing together two sustained careers in medicine and composition.

Scholarship & professional background

His composition studies at the University of Cincinnati included work with Joel Hoffman, Douglas Knehans, and Michael Fiday. His catalogue includes chamber and vocal works, with recordings and performance materials available through his composer website. Works such as Clara’s Song from Haber’s Law extend his creative practice into the relationship between music, text, and dramatic characterization.

Selected work & perspectives

Compositions and recordingsPerformancesComposition training · Art Song LabCompositions, scores, and recordings